Prunella Scales: Beginning with Fawlty Towers to Great Canal Journeys
Prunella Scales, who died at 93 years old, was regarded as one of Britain's finest comic actors.
Despite an extensive and respected career on stage and screen, her legacy will forever be linked as Sybil Fawlty in the classic 1970s television series, the beloved Fawlty Towers.
It was Sybil's mission throughout her existence to keep tabs on her "stick insect" husband Basil - played by comedian John Cleese - between cigarette-fuelled phone conversations with her friend, Audrey.
She was tasked to calm visitors who had been yelled at, totally ignored or, occasionally, physically confronted by Basil when during his particularly frenzied episodes.
Her nightmarish laugh, extraordinary hairstyle and intense anger were components of a carefully constructed character that stands as a comic masterpiece.
And while numerous performers would have removed themselves from excessive identification with a single role, Scales always expressed her delight in participating of the Fawlty Towers phenomenon.
Early Life and Career Beginnings
Prunella Margaret Rumney Illingworth came into the world in the Guildford area on 22 June 1932.
She belonged to a household profoundly passionate about theatrical arts - her mother being, Catherine Scales, an ex-actress who'd given it all up for family life.
Intelligent and studious, following evacuation during the war to England's Lake District, Prunella attended Moira House educational institution in Eastbourne.
In 1949, she earned a scholarship to the Old Vic Theatre School and - two years later - obtained a role as a stage management assistant.
This decision angered of her previous school principal in her hometown, who had hoped she would apply to Cambridge and wrote to the theatre to express this opinion.
During her theatrical training, Scales was perceived as a junior character actor instead of an obvious Juliet.
"Everyone aspired to resemble Audrey Hepburn," she later told her chronicler, "but I wasn't attractive and nobody fancied me."
The youthful Prunella concealed her privileged background, aware that producers started seeking a new kind of earthy credibility in performers.
But she started picking up minor parts in theatrical productions, and, during preparations for a part at the Connaught Theatre in Worthing, she encountered Andrew Sachs, who would later star as Manuel the Spanish server, in Fawlty Towers.
There was an early television appearance in the year 1952, as the character Lydia Bennet in a television adaptation of Pride and Prejudice, which included Peter Cushing - more famous for his roles in horror movies - as Mr. Darcy.
Her initial film appearances came a year later - in romantic comedy, Laxdale Hall, and David Lean's Hobson's Choice, alongside the renowned Charles Laughton.
During the latter 1950s and early 1960s, she was rarely out of work - appearing on stage, film and television, including a short appearance as transport worker, Eileen Hughes, in Coronation Street.
She additionally encountered fellow actor Timothy West.
Following what she characterized as "a gentle courtship involving crosswords and candies", they got together, and married in 1963.
Breakthrough and Iconic Roles
Her big TV break arrived through Marriage Lines, a comedy program about a newly married couple, the Starling couple.
Scales performed alongside Richard Briers, then one of the biggest stars in television comedy. The show proved hugely popular and ran for five years.
Then came Fawlty Towers, which elevated her to cultural icon.
John Cleese and his then wife, Connie Booth, had presented the initial screenplay of their comedy creation to the BBC.
Performer Bridget Turner had been considered for Sybil Fawlty but she had turned it down and Scales tried out for the character.
She subsequently recalled that Cleese was a hard taskmaster.
"John, quite rightly, was extremely rigorous about learning the script, and if you didn't, he could get quite cross, which was fair enough."
Only 12 episodes were ultimately produced.
The initial season, which aired in 1975, didn't immediately attract massive viewership but, as it continued, its hilarious mix of absurd pratfalls and embarrassing situations grew in popularity.
Scales carefully considered about portraying Sybil Fawlty, and decided that her character's upbringing had to be below her husband Basil's.
At first, John Cleese and his wife were unsure about this approach.
"Once they heard the first reading in rehearsal," Scales remembered, "they embraced the concept completely."
Later in her career, she frequently found herself, requested to portray stern matriarchs when she hankered after more glamorous roles.
However when questioned about what she thought was the high point, Scales immediately identified in picking Sybil Fawlty.
"It was a tough job," she maintained, "yet I remain proud of my work." She even thought it helped get the paying public into theaters.
"I like to think that if the public have seen you in one thing they'll come and see you in another," she expressed.
Later Career and Personal Life
Following Fawlty Towers, Scales maintained her career in television, including a stint as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her voice was also regularly heard on radio, particularly the comedy program After Henry, which later transitioned to TV, and Ladies of Letters, with actress Patricia Routledge, which evolved into a staple of Woman's Hour.
Scales performed two significant royal characters; as Queen Elizabeth in the BBC production of Alan Bennett's A Question of Attribution, and as Queen Victoria in a solo performance that she performed 400 times.
She obtained correspondence from a royal protection officer who confessed that when Scales came on stage, he rose to his feet.
"It was a knee-jerk reaction," she clarified. "I was thrilled."
During 1995, she began starring as Dotty Turnbull in a series of TV adverts for supermarket giant Tesco - which paid her partly in vouchers.
The campaign, which continued for nine years, was cited as the primary reason in establishing its dominant market position in the mid 1990s.
Scales later came in for moderate critique for participating in the commercial campaign, when she backed a campaign to prevent neighborhood store closures in her London community.
One of her finest performances appeared in Breaking the Code, the movie concerning World War II cryptanalysts.
She appears as the mother of Alan Turing, who embodies a society that treated homosexual acts as a crime, a perspective that contributed to his tragic end.
Beyond performance, {Scales was